Mary Ann Doane’s essay, “Film and the Masquerade: Theorizing the Female Spectator” attempts to answer some of the questions raised by. Type: Chapter; Author(s): Mary Ann Doane; Page start: ; Page end: Is part of Book. Title: The sexual subject: a Screen reader in sexuality; Author(s). Film and the Masquerade: Theorising the Female Spectator Title: Feminist film theory: a reader; Author(s): Sue Thornham; Date: ; Publisher: Edinburgh.
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Setting up reading intentions help you organise your course reading.
Citing articles via Web of Science About Media and Commentary Reading Assignments! She does this in order to downplay her transgression and her castration threat. Please log in to set femxle read status Setting a reading intention helps you organise your reading. Your reading intentions are also stored in your profile for future reference.
Notes on Mary Ann Doane’s “Film and the Masquerade'”
You are commenting using your WordPress. To find out more, including how to control cookies, see here: Most users should sign in with their email address. Distance from the image is ‘good’ while proximity to the image is ‘bad.
It makes it easy to scan through your thr and keep track of progress. To purchase short term access, please sign in to your Oxford Academic account above. Film Culture, Theory, Entertainment Section: Leave a Reply Spectatpr reply Enter your comment here Sign in via your Institution Sign in.
Here’s an example of what they look like:. Setting up reading intentions help you organise your course reading. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide.
ScreenVolume 23, Issue1 SeptemberPages 74—88, https: Email required Address never made public. Jean Rouch and the camera eyewitness. What are reading intentions? If she does not distance herself, the female spectator risks over-identification and narcissism because the spectacle of woman is also herself, a woman. Your reading intentions are private to you and will not be shown to other users.
Film and the Masquerade: She can never assume thelrizing role of the female spectator without this distance. How can woman participate in the role of the spectator and find pleasure in cinema?
Film and the Masquerade: Theorising the Female Spectator | Screen | Oxford Academic
How do I set a reading intention To set a reading intention, click through to any list item, and look for the panel on the left hand side: Without this distance, it is impossible for a woman to become a spectator of a feminine image in film.
This item appears on List: To set a reading intention, click through to any list item, and look for the panel on the left hand side:. Youth Theorizkng and Feminist Politics Previous: To set a reading intention, click through to any list item, and look for the panel on the left hand side:.
It makes it easy to scan through your lists and keep track of progress.
By continuing to use this website, you agree to their use. Men already achieve the distance required from the image and as a result can fetishize it. You must be logged in to post a comment. As Irigaray discusses, a problem is language. This excess of femininity highlights how femininity is but a hyperbolic gendered performance, not an innate structure. Theorising the Female Spectator Digitised. What are reading intentions?